Grade IV
Duration 9:40
Purchase Score Only
PROGRAM NOTES
Four Maryland Songs was commissioned by the University of Maryland
chapters of Kappa Kappa Psi and Tau Beta Sigma (the honorary band service
fraternity and sorority). The commission was to honor Director of Bands,
John Wakefield's thirty years on the College Park campus. After
discussions with Professor Wakefield, I decided to write a work based on poetry
about Maryland and feature a soprano soloist with wind ensemble. The
poetry, a majority of which was found in the collection Maryland in Prose and
Poetry, is diverse as is the music which accompanies it.
At the Edge of the Choptank River,
by J.P. Gelletly, is very rhythmic to accentuate the consistent, pounding
shore. However, Gelletly brings religious symbolism into the text and the
music adjusts accordingly.
A Maryland Road, by W.C.
Thurston, is somewhat pastoral, and is reminiscent of the music of Aaron Copland
or, at least, has a distinct "American" flavor.
On Chesapeake Shores: A
Fisherman's Sonnet, by Albert Dawling, is a humorous look at the
"after-life" with or without fishing. The music is rhythmic,
earthy, polytonal, and folk-like. There is a brief
"tongue-in-cheek" quote of the state song in the translation.
The Sires of Seventy-Six, by
John N. McJuton, is the most serious of the four movements. The text deals
with our forefathers and their strife for independence. Between verses
there is a serious quote of "Maryland, My Maryland" (which I learned
as a fourth grader and can still remember the words).
- Jack Stamp
INSTRUMENTATION
Piccolo
Flute 1/2
Oboe 1/2
English Horn
Bassoon 1/2
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Bass Clarinet
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
Bb Trumpet 1
Bb Trumpet 2
Bb Trumpet 3
F Horn 1/2
F Horn 3/4
Trombone 1/2
Trombone 3
Euphonium
Tuba
Solo Voice
Timpani
Mallet Percussion 1 (vibraphone,
xylophone, bells)
Mallet Percussion 2 (chimes,
marimba)
Percussion (triangle, suspended
cymbal)