Grade V
Duration 14:20
Purchase Score Only
PROGRAM NOTES
The Concerto for Percussion Solo and Wind Ensemble was composed in
January of 2001 as a showcase for the talents of percussionist Scott
Herring. The concerto is in three connected movements and features the
soloist on a variety of instruments, including marimba, vibraphone, bells, and
crotales. A large percussion battery with two snare drums, multiple toms,
brake drums, and bass drum is also used. The first movement, March,
utilizes a quasi five-part rondo form. The movement starts with a solo
snare drum, with the ensemble providing melodic interjections. The
introduction builds to the first solo marimba entrance. A left hand
ostinato leads to a melodic figure which alternates between 6/8 and 4/4. A
short snare drum solo sets up the middle section, in which the soloist and
ensemble trade musical ideas. The multi-meter passage returns, with the
soloist embellishing ensemble melodic figures. An abrupt modulation leads
to the final section, which echoes the opening ideas of the movement. March
ends with the soloist back on the snare drum, as it comes quietly to its
conclusion. The concerto immediately segues into the second movement, Meditation,
which begins with the ethereal sound of multiple sets of wind chimes. As
the movement progresses, the soloist plays long, reflective lines over a simple
ensemble accompaniment, on various combinations of keyboard percussion
instruments. The movement builds to a moment of triumph, before returning
to its initial contemplative state. Fantasia (a free flight of
fancy) immediately shatters the previous mood. A loud, cacophonous
ensemble accompaniment provides a charged atmosphere for the soloist to utilize
the percussion battery. A short melodic section, noble in character, leads
to the initial climax of the final movement. The atmosphere abruptly
changes again, as the ensemble and soloist embark upon a fast, violent new
section. Musical lines are furiously exchanged, leading up to a thunderous
percussive display. The mood is suddenly tinged with blues and jazz
influences, letting the soloist function in a manner reminiscent of a drum set
player. The final section of Fantasia begins with an unaccompanied
marimba solo, played at breakneck speed. The ensemble begins to gradually
join the soloist, as the movement build to a final, fortissimo climax.
INSTRUMENTATION
Piccolo
Flute 1/2
Oboe 1/2
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Bass Clarinet
Bassoon 1/2
Alto Saxophone 1/2
Tenor Saxophone
Baritone Saxophone
Bb Trumpet 1
Bb Trumpet 2
Bb Trumpet 3
Horn 1
Horn 2/3
Trombone 1
Trombone 2/3
Euphonium
Tuba
Solo Percussion (4.6-octave marimba, vibraphone, crotales, bells, marching snare
drum, concert snare drum, 4 toms, bass drum, 2 bongos, 2 brake drums, 2
suspended cymbals)
Percussion 1 (tam-tam, temple blocks, wind chimes, snare drum)
Percussion 2 (Chinese cymbal, bass drum, wind chimes, crash cymbals)
Percussion 3 (suspended cymbal, triangle, chimes, wind chimes,
crash cymbals, marimba)
Percussion 4 (vibraphone, xylophone, suspended cymbal, cabasa, wind chimes, ratchet,
tambourine)